HUBO Productions

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Posts Tagged ‘flamenco fusion’

In Nomine Matris premieres in Spain

In Nomine Matris - Official PosterIN NOMINE MATRIS is the Closing Film at the VII Ciclo de Cine y Flamenco in Sevilla, Spain

Filipino independent movie IN NOMINE MATRIS (In the Name of the Mother) by writer and director Will Fredo has been selected to be the closing film at this year’s VII Ciclo de Cine y Flamenco in Sevilla, Spain. The yearly celebration of Flamenco films at the heart and origins of the dance, Andalusia, Spain, will premiere the movie at its capital in Sevilla this July 4th as the festival’s closing film. Instituto Andaluz Del Flamenco, Ministry of Culture and Sports of the Government of Andalusia with the support of UNESCO and Centro de Iniciativas Culturales de la Universidad de Sevilla (CICUS) organize the festival.

As critic and columnist Mario Bautista declares, “In Nomine Matris is the first local [Filipino] movie to feature flamenco as part of the story. It could very well be our official introduction to this classical Spanish dance with its elaborate footwork, arm, hand and body movements, sometimes with castanets or a fan.” The movie, produced by HUBO Productions, is the first Filipino film to be presented in the Festival. In Nomine Matris stars 38th Metro Manila Film Festival New Wave Best Actress Liza Diño (also a contender for the Best Actress plum of the forthcoming Manunuri ng Pelikulang Pilipino URIAN Awards) together with Biboy Ramirez, Al Gatmaitan, Tami Monsod, and Clara Ramona (URIAN Best Supporting Actress nominee).

“Kinakabahan ako actually. To show the people of Andalusia (Spain) our movie is a big deal. The place is the heart of Flamenco, they can be really critical about the art form. But for the film festival to invite and appreciate what we tried to do in In Nomine Matris is very humbling,” expresses Fredo.  “It’s about time we highlight the thriving topnotch Flamenco artists we have here in the Philippines,” he added. As articulated by Tito Genova Valiente, Chairman of Manunuri ng Pelikulang Pilipino, “In Nomine Matris remains one of the most thematically daring and, ultimately, most visually compelling of films produced in this republic. Dance in this film is not merely an expression of a mood; dance in this film pushes the tale to a finish.”

Based on real life events, this heart-stomping and intense drama, In Nomine Matris (In the Name of the Mother) dares to capture the passion of women and their dance. At the same time the narrative pays homage to the Philippines’ Spanish heritage and culture.

In the heart of Metro Manila, Mara (Diño), a young dance protégé, seeks to land the principal part of a dance company that is helming a show named In Nomine Matris. On her quest to land the coveted break, a series of events turned her sense of meaning upside down and is faced with a life-changing decision. She turns to her mentor Mercedes (Ramona) and her mother Ava (Monsod) as she searches for answers in the beautifully loud and endlessly moving world she lives in.

The movie also features Jam Pérez, Maradee De Guzman, Bong Cabrera, Leo Rialp, and Joan Palisoc. Flamenco master Clara Ramona dance-choreographs and world jazz musician Bob Aves scores the film, fusing original Filipiniana and Flamenco movement and music.

In Nomine Matris closes VII Ciclo de Cine y Flamenco

In Nomine Matris closes VII Ciclo de Cine y Flamenco

IN NOMINE MATRIS (Sa Ngalan ng Ina) GOES NATIONWIDE

IN NOMINE MATRIS opens MAY 8 in SM Mega Mall, SM North, SM Manila, SM Centerpoint, SM Marikina, SM Fairview, SM Southmall, Robinsons Galleria, Star Mall (Metropolis Alabang), Gaisano Cineplex (Cebu), Eden Cinema (Cebu City), and starting MAY 10 in GMALL (Gaisano Davao City). Additional theaters will be announced or check your local theater listings during the release date.  TRAILER and SYNOPSIS: http://www.hubo.asia/in-nomine-matris

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LOVE vs PASSION, which one would you choose?

LOVE vs PASSION, which one would you choose?

IN NOMINE MATRIS (Sa Ngalan ng Ina), a film by HUBO Productions, premiered last December at the 38th Metro Manila Film Festival (MMFF). Its dramatic premise and visually stimulating dance sequences choreographed by world renowned Flamenco master, Clara Ramona, was the much talked about and biggest hit for the New Wave entries during the festival. The movie bagged in the Festival’s NEW WAVE category the Best Actress award for Liza Diño and the Most Gender SensitiveAward. Due to clamor and demand, the movie will be released in selected Philippine theaters nationwide starting May 8, 2013, right in time for the Mother’s Day week.

Supported by the Embassy of Spain in the Philippines, Instituto Cervantes/SPCC, and Trinity Hearts Media, IN NOMINE MATRIS is written and directed by Will Fredo. The movie revolves around Mara, portrayed by beauty queen/actress Liza Diño, a young dance protégé who seeks to land the principal part of a dance company that is about to embark on a tour. On her quest to land the coveted break, a series of events turned her sense of meaning upside down. She is then faced with a life changing decision. She turns to her mentor Mercedes (Clara Ramona) and her mother Ava (Tami Monsod) as she searches for answers in the beautifully loud and endlessly moving world she lives in. Within this premise, director Fredo fuses the sensitivities of the Spanish culture into the Philippine modern setting through a highly tense mix of drama, dance, singing, and poetry.

Dramatic actor Biboy Ramirez and Italy-trained opera singer Al Gatmaitan, who both played Mara’s lovers in the movie, adds the complexity in the movie. The love triangle between the two half-brothers and Diño’s character creates the breath of the story. “Kikiligin at maaawa ka sa pinagdaanan ng dalawang lalaki sa kamay ng character ni Liza, maski ikaw na nanunuod, iisipin mo kung ano ang dapat mong pilliin — passion ba or true love?” quips the director. The movie is not as simple as it appears to be, IN NOMINE MATRIS is not your typical Filipino love story. The filmmaker promises that a lot of people will be able to relate, “lahat naman tayo may mga passion sa buhay, kahit ano pa yan. Araw araw, may mga choices tayong ginagawa, no matter what the consequence diba.” A perfect date movie, IN NOMINE MATRIS might be a good alternative to the high testosterone Hollywood movies coming out this May.

“Not all independent movies get the opportunity to release in wide distribution. Honestly, it is a difficult task. We are encouraged though by the audience reaction and by the support of our partners,” explains Producer Ida Tiongson. Executive Producer Greg Macaraeg enthused, “It is seldom we see an audience cheer and clap in between scenes, especially after each dance or performance. It feels like you’re watching a live show, but it’s on screen.” Medwin Garcia, one of the producers, further shares, “I hear the audience getting involved, invested with the characters. Nakakatuwa panuorin!”

The movie also stars Nepal’s foremost Flamenco dancer, Maradee De Guzman, Flamenco dancer/openmic poet Jam Pérez, award-winning actors Bong Cabrera and actor/director Leo Rialp, first time comedienne theater/TV actress Joan Palisoc, and a group of dancers from various background who trained for more than 3 months to dance Flamenco. World jazz musician Bob Aves created the beautiful music score, a first in Philippine cinema wherein “Kundiman” and Flamenco rhythms were fused together.

IN NOMINE MATRIS will be shown MAY 8 – 14 in SM Mega Mall, SM North, SM Manila, SM Marikina, SM Fairview, SM South Mall, Robinsons Galleria, Robinsons Metroeast. Additional theaters will be announced or check your local theater listings during the release date.

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More information about IN NOMINE MATRIS, check movie official website:

http://www.hubo.asia/in-nomine-matris

HUBO Productions is an independent multi-media production company that is known for its core film ventures. The film group is headed by Will Fredo, Gregory Macaraeg, Ida Tiongson, Joan T. Manalang, Medwin Garcia, and George K. Sommerrock. HUBO has ventured its artistic reach in music, theatre, dance, and visual arts. HUBO encourages artistry through practical means, and dedicates its art to stimulate the mind however unconventional and unfamiliar.

Love  Life  Passion

Love Life Passion

IN NOMINE MATRIS SPOTTED

In Nomine Matris at Fitness First

In Nomine Matris at Fitness First

In Nomine Matris at Fitness First
In Nomine Matris at Fitness First

An Actor’s Journey: Excerpts from In Nomine Matris

Liza Diño [photo by Ruben Domingo]

Liza Diño [photo by Ruben Domingo]

Actress LIZA DIÑO in the raw, as Mara Bonifacio Advento, the protagonist in the movie In Nomine Matris (In the Name of the Mother). She plays a young dance protégé in search for perfection, her real passion, and her true love.

Inspired by Bjork and Marina Abramovic work, transposing excerpts and creating a simplistic collage of lines from the movie In Nomine Matris as a performance piece, director Will Fredo together with long time collaborator Roldan Din, harnesses the rawness of Liza Diño by subjecting the actress in constrained body movements. At the same time, this piece showcases in a playful form the Spanish style monologue coming from the movie’s dramatic narrative. Accompanied by a heartfelt acoustic Flamenco-Filipiniana inspired musical score from Bob Aves, this performance piece will draw you closer to your own personal passion and desires.

“Sometimes, watching the journey of an actress go through cycles of emotion in constrained situations is simply breath taking,” Fredo explains.

 

 

CREDITS:
Produced by HUBO Productions
Creative Directors: Roldan Din & Will Fredo
Cinematography: Kim Guanzon & Marden Blake
Music: Bob Aves (taken from the movie In Nomine Matris)
Make-Up: Laa Hernando-Guanzon
Production Assistants: Ferdz Din & Zaldy Ilagan
Post Engineer: Will Fredo

 

This piece is not in the movie. This is simply a creative play used by the artists.

Fusing Worlds: A Glimpse at Art Collaboration

Clara Ramona as Mercedes Lagdameo

Clara Ramona as Mercedes Lagdameo

CLARA RAMONA, a world-renowned Flamenco master, shares her artistry in the movie In Nomine Matris. In this rare footage of deleted scenes from the movie, her character Mercedes Lagdameo pours out her soul, her passion, her frustration as an aging dancer, an embattled teacher, and above of all, as a loving mother.

Filipino music scholars agree that kundiman is uniquely Filipino musical form that taps deep into one’s heart and bring untold emotions.  Felipe M. de León Jr. once wrote that kundiman is a “unique musical form expressing intense longing, caring, devotion and oneness with a beloved…its music is soulful and lofty…”

Soleá is one of the foundational styles of flamenco that always incorporates the elements of romantic tragedy, desolation, and death. It affords the dancer both profound emotion and blazing footwork in the unique 12-beat cycle of flamenco music.

What WILL FREDO envisioned for the scene is to narrate the travails of being a mother from a Filipino perspective but express it in a form that is at once foreign and familiar. From this direction what BOB AVES has done is absorb the 12-beat cycle of soleá flamenco music into the lyrical triple time of kundiman. In this way the expressiveness that is distinctively Filipino is overlayed on the aggressiveness and passion that the dance required.  This has not been done before, and the result is simply astounding.


The Movie  |  The Music  |  The Cast

In Nomine Matris Dance Company

MERCEDES LAGDAMEO FLAMENCO-FILIPINIANA DANCE COMPANY
Behind the Scenes

 

BEHIND THE SCENE - MERCEDES LAGDAMEO FLAMENCO-FILIPINIANA DANCE COMPANY

BEHIND THE SCENE – MERCEDES LAGDAMEO FLAMENCO-FILIPINIANA DANCE COMPANY

 

The Reel Dance Company and their Real Persona

The Reel Dance Company and their Real Persona

 

Behind the Scene - Director Will Fredo with the Dance Company

Behind the Scene – Director Will Fredo with the Dance Company

 

Behind the Scene - Mercedes Lagdameo Flamenco-Filipiniana Dance Company

Behind the Scene – Mercedes Lagdameo Flamenco-Filipiniana Dance Company


The Movie  |  The Music  |  The Principal  |  The Ensemble

In Nomine Matris Music Score

Nana, that’s how lullabies are commonly called in Spanish language. In flamenco, it’s a quiet place for womanhood. The chant, the melody, the instrument recall all shades of walking, the rhythmic rocking of the cradle, the passion, the work, the love—all indisputable flamenco content. Bob Aves puts all these elements together and amalgamated them with distinctive Filipino undertones serving a heightened drama and poetic sense.

In Nomine Matris is a film set in Manila. It is about a dancer who wanted to be the principal dancer of a Flamenco dance company based in Manila that is about to embark on an international tour. A series of events, however, threw a wrench on her quest and must now face the question of what matters most in her life.

Flamenco is a form of music, song, and dance from Spain where it traces its origin in the Andalucian region in the southern part of the country. Flamenco has a certain soul, commonly referred to as duende, replete with intensity that is almost fiery in nature.  Flamenco music uses three basic counts: binary, ternary and, unique to flamenco, twelve-beat cycle.

Bob Aves

Bob Aves [photo by D. Buenaventura]

The drama unfolds in a flamenco beat, music is essential to the underlying structure of the film that is set in the Philippines. Though the Philippines was under the Spanish rule, flamenco never became part of the popular taste.  The Spanish influence is undeniable—it is in the food, the dance, the music, the language, in general sensibilities of Filipinos—yet flamenco, in its pure form, remains a foreign element. How does one present something foreign yet in many ways familiar to Filipinos? Faced with this predicament, Bob Aves, the musical scorer of the film, tackled the project to be a presentation of a “the fusion of traditional Philippine music and Flamenco music and bring it to a contemporary style.” Fusing different musical forms is not new to Aves.  In the 1990s, he embarked on a quest to rediscover Philippine indigenous music and re-conceived them with different instrumentation and rhythms. His experimentation became a distinctive element in his music, a unique blending that can only come from a deep understanding of the different forms and styles on their own.

In the film In Nomine Matris, the dance is not a simple case of showcasing the actors’ talent, nor is it indulgent. It becomes the rhythm by which the narrative is further told, music naturally become prominent.  Aves felt that it is “important to present Flamenco music from our Philippine perspective as our contribution to promote our traditional music in cinema. Since this fusion has never been done before, therefore leaving us with no reference at all, we have to develop the pieces from scratch. We also needed to present this fusion in a very contemporary style therefore incorporating electronic elements, while retaining the aggressiveness and passion that these dances required.”

The music is not used as a background, in which case it would serve to underline the atmosphere, accentuate grief, joy, or any other emotion. The music becomes a character in itself, a very important character. In Aves’s mind, “the music had to have such fluidity to flow in and out from dance to soundtrack mode … and even from dance music becoming the soundtrack and soundtrack becoming the dance music.”

Aves explains that the film has its particular challenges, primarily that it being a weaving of flamenco and a Filipino story, thus he “focused on the elements that were relevant to the Flamenco, like it’s specific steps and rhythmic counts and musical forms, while utilizing the traditional southern gong ensembles to play these rhythms. We also wanted to show the versatility of our gongs in adopting to new environments.” This accounts for the music not only being prominent but also recorded with great attention to detail. The music score contributes to the musical and visual quality and depth of the film. The music is not mere ornaments but rather closely connected with the plot. It functions as a narrative tool that is essential to the film. Some critical scenes were constructed in a highly effective cinematic terms that owes much to the music, an element that is normally considered least cinematic. The scenes would have not been half as effective.

The music in In Nomine Matris is a fine example of a cinematic technique through which complex ideas can be expressed entirely without words, a story is moved forward by aural intimacy. Usually cinematic film employs image rather than sound to achieve a narrative force, the application of music in In Nomine Matris makes it a remarkable cinematic feat.

BOB AVES

BOB AVES [ photo by Lucky Booj ]

Roberto ‘Bob’ Aves is a composer, performing artist and a multi-award-winning arranger and producer. Born and raised in Bacolod, Negros Occidental, in central Philippines, he obtained his Bachelor’s degree in Composition (1979) from Berklee College of Music in Boston.

In the 1990s, Bob embarked on a quest of rediscovery of Philippine indigenous music, fusing traditional instruments, rhythms and chants, with contemporary music genres. This unique blend of musical style ultimately became the hallmark of Bob’s work, ranging from his musical collaborations with Grace Nono, his Philippine-jazz, music scores for documentaries and independent films and music for theater and dance.

Together, Bob Aves and Grace Nono co-established Tao Music in the 90s, an all-Filipino record label that specializes in the production and publication of traditional and contemporary culture-based titles of Philippine music. Their collaboration in the filed of performance have brought their brand of Filipino world music to international music festivals world wide (2011 Penang World Music Festival, Archa Theater, Prague / “Phil. Sacred Chants”, HK University / Prince Albert Fundraiser for the Filipino Child, Monaco / Festival Asia, Barcelona-Madrid, Spain / Asean-China Summit, Nanning, China/ World Exposition, Aichi, Nagoya, Japan / House of World Culture, Berlin, Germany / Singapore Arts Festival / WOMAD, Yokohama, Japan / Music Village Festival, UK)

Today, Bob Aves continues to push the boundaries of his unique musical style in the development of Philippine Jazz, a groundbreaking integration of the gong culture of the southern Philippines and contemporary jazz. His jazz group has performed in various jazz festivals such as the Phil. International Jazz festival, Penang Int. Jazz festival (Malaysia), Zhujiajiao Water Village Music festival (Shanghai, China),  Jarasum Jazz festival (Korea), National Museum of Singapore, among others.


The Movie  |  The Cast